Katarina Svetlova ǀ School Director

Originally from Germany, Katarina Svetlova received her classical ballet training primarily from Haydee Gutierrez in Florida, and continued with Haydee at The School of Oregon Ballet Theatre in 1994. She also studied at the John Cranko School in Stuttgart and The Princess Grace Academy in Monte-Carlo. Katarina started her professional career at the age of 15 at Oregon Ballet Theatre, under the direction of James Canfield. During her 7 years at OBT she danced in many works by James Canfield, George Balanchine, Peter Martins, Trey McIntyre, Josie Mosley and others.

In 2002 she accepted a contract as Principal Ballerina in one of Germany’s leading Ballet companies, Deutsche Oper Am Rhein in Dusseldorf, Germany. There she enjoyed success and public and press acclaim dancing principal roles in many classical ballets, including Swan Lake, Sleeping Beauty, Coppelia, Giselle, Romeo and Juliet. She was privileged to work closely with international choreographers including John Neuemeier (Sylvia), Mats Ek, Hans Von Manen, Youri Vamos, and many others, and had several principal roles/world premieres created on her to international acclaim.

Katarina’s teaching career began early alongside her professional career with Oregon Ballet Theater in 1996 and she has been teaching children of all ages across the Portland/Vancouver area for over 20 years, including Oregon Ballet Theater School and her own studio – Dance From the Heart PDX. She has taught ballet in Portland area Elementary schools for 11 years and was involved with OBT outreach in this capacity as well. Katarina is a desired guest teacher across the Nation and is excited to join OBT as School Director. It is Katarina Svetlova’s mission and passion to amplify OBT School efforts to increase diversity and teach ballet in a supportive, positive and encouraging manner to dancers of all levels, while continuing to maintain the integrity of classical technique.

Dominic Walsh ǀ OBT2 Director

Dominic Walsh was born in Elgin, Illinois and started his training with Lisa Boehm, Frank Boehm, Warren Conover, and Larry Long in Chicago. He joined Houston Ballet in 1989, and was promoted to Principal Dancer by 1996. Walsh danced throughout Asia, Europe, and North America and performed all the major classics. Ben Stevenson created numerous roles for him including Marc Antony in Cleopatra.

In 1998, Walsh created Flames of Eros on Houston Ballet. This work won the Choo-San Goh Award for Choreography. He created three more works for Houston Ballet. In 2002, while still a Principal Dancer and Choreographer with the Company, he founded Dominic Walsh Dance Theater. The company’s roster included works by Walsh, Mats Ek, Jiří Kylián, Mauro Bigonzetti, and Matthew Bourne.

In 2004, Walsh left Houston Ballet to pursue Dominic Walsh Dance Theater full-time. He won a second Choo-San Goh Award in 2007 and received a 2008 Princess Grace Award, both for The Trilogy: Wolfgang Amadeaus Mozart. In 2012, he was inducted into the Fox Valley Arts Hall of Fame.

Walsh continues to receive commissions to set and create works nationally and internationally. He served as the Resident Choreographer for Sarasota Ballet of Florida. In addition to his travels throughout the U.S. and abroad, he is a guest teacher and coach for both companies and academies and stages the works of his longtime mentor, Ben Stevenson. The Carl Jung Center has shown interest in Walsh’s creative process and he has given lectures at Houston’s Jung Center.

He has written for various publications on dance, and was a regular columnist for Origin Magazine. Walsh made his film debut as a co-director at the Brussels Short Film Festival in Spring 2015 with Malta Kano, TX. That same year, he became a proud father and closed DWDT after 12 seasons. In 2018 Walsh was Costume Designer for Stevenson’s Cinderella with the National Ballet of China.

School Administration

Katarina Svetlova | School Director
James Holstad | School Manager
Alessandro Angelini | School Registrar
Emme Cordero | School Receptionist

OBT2 Administration

Dominic Walsh | OBT2 Director
Colleen Hildestad | OBT2 Artistic Manager

Pianists

Garnet Hayes, Karen Lam, Ayako Matsuo | Lead Accompanists
Corin Parker, Jeremy Reinhold | Accompanists

OBT School Principal Faculty

Eva Burton
Eva Burton was born in Los Angeles, California, where she received training from Patrick Frantz, followed by San Francisco Ballet School. In 2010, she joined OBT as a dancer in the corps de ballet, was promoted to soloist in 2016, and became principal in the beginning of the 2020-2021 season. Her repertoire includes works by George Balanchine, William Forsythe, Trey McIntyre, Nicolo Fonte, James Kudelka, Nacho Duato, Helen Pickett, Yuri Possokhov, August Bournonville, and Jiří Kylián. In 2015 and 2019, she performed the title role in Ben Stevenson’s Cinderella. In February of 2020, she made her debut as Princess Aurora in Christopher Stowell’s production of The Sleeping Beauty.
James Canfield
Lauren Flower
Lauren Flower is from Tucson, Arizona and trained with Tucson Regional Ballet and Ballet Arts. Following her time in Tucson, Flower joined Houston Ballet II under the direction of Claudio Muñoz and Sabrina Lenzi, and later danced with Ballet Arizona from 2013-2017. After four seasons with Ballet Arizona, she joined Boston Ballet as an Artist from 2017-2020, and later moved to San Diego, California where she was a Soloist with Golden State Ballet, as well as an Artist and Resident Choreographer with The Rosin Box Project. Throughout her career, Flower has had the pleasure of performing works by choreographers William Forsythe, Justin Peck, Alejandro Cerrudo, Andi Schermoly, Stanton Welch, and George Balanchine. She has also had the opportunities to choreograph on dancers of Ballet Arizona, Boston Ballet, Boston Ballet II, The Rosin Box Project, and various students for ballet competitions.
Elizabeth Guerin | Ballet

Elizabeth began studying ballet at the age of seven at the Princeton Ballet School and continued in New York at the School of American Ballet, the Joffrey Ballet, and with Maggie Black, David Howard and Choo San Goh.  She was one of the first recipients to win the Presidential Scholar in the Arts award, one of five dancers nationwide, performing at the Kennedy Center in Washington, DC as part of the awards ceremony. She went on to dance as a principal with Princeton Ballet (now American Repertory Ballet), The Washington Ballet, and Oregon Ballet Theatre, dancing in works by choreographers George Balanchine, Choo San Goh, Paul Taylor, Bebe Miller, James Canfield, and Val Caniparoli. Her repertoire includes the Sugar Plum Fairy in The Nutcracker, Swanilda in Coppelia, Lise in La Fille Mal Gardee, as well as dancing the principal roles in Balanchine’s Serenade, Tarantella, Scotch Symphony, Concerto Barocco, Square Dance and Valse Fantasie, and creating the role of Juliet in James Canfield’s Romeo and Juliet.  As a dancer, she toured throughout the Far East, China, and South America.

Elizabeth has taught at the Northwest Academy, Bodyvox and as a freelance teacher in the Portland area and is currently on the faculty of Oregon Ballet Theatre as well as The Portland Ballet, where she teaches curriculum classes and assists in staging and rehearsals for the youth company.

Elise Legere | Ballet
Elise’s dance training began at one of only two Denishawn studios in the country. One of her first professional performances was at Jacob’s Pillow for Ted Shawn’s anniversary tribute in 1972. After graduating from Walnut Hill School for the Performing Arts in Natick, Massachusetts, Elise studied under scholarship with the School of Hartford Ballet. Elise continued her ballet training with Melissa Hayden and Elizabeth Carroll while attending Skidmore College. She later earned her BS degree from Skidmore College, University Without Walls. Elise moved to New York City in 1978 and studied with David Howard, Lawrence Rhodes and Maggie Black. Elise’s professional career began with Garden State Ballet in 1978 where she spent three years, dancing several solo roles including the Sugar Plum Fairy in their Nutcracker. During Elise’s career, she performed ballets from notable choreographers such as George Balanchine, Lew Christensen, William Dollar, Peter Anastos, and Peter Martins. After marrying and moving to Boston, her career continued with Boston Repertory Ballet and New England Ballet, before moving on to Hartford Ballet. Elise and her husband moved to Oregon in 1986 with their infant daughter. She resumed her dancing career with Ballet Oregon under the direction of Dennis Spaight. Elise has been on the faculty of Oregon Ballet Theatre School since 1998.
Joseph Wyatt | Ballet
Joseph Wyatt began learning about dance and ballet at Eugene Joseph’s Trinidad Dance Theatre. Since then, he has spent most of his life studying, dancing professionally, and teaching ballet. Although he danced in Mexico City as the principal dancer of La Compania Nacional De Danza; and in Portland, Oregon, as principal dancer of Pacific Ballet Theatre, his most important achievement was being a member of the Dance Theatre of Harlem in New York City. He began his career there, danced several principal roles, and toured the U.S., Europe, and Japan. His life’s work now is teaching Ballet. He was the Ballet Master of the Dance of Harlem, the first Director of the School of Oregon Ballet Theatre, and owned his own dance studio. He retired from professional dance, and begun guest teaching around the U.S. and at family studios and dance company in the Caribbean. He brings a love of teaching all ages of dancers. He has taught ballet to students from age eight to adult, pre-professional, and to seasoned professional dancers. He has also choreographed at all levels from young students to professional dancers.

 

OBT School Faculty

Grace Andrews
LeeWei Chao | Ballet
Born in Taipei, Taiwan. LeeWei Chao started his ballet training at age 15 with Ms. Xiao Lee, who brought from Russia the Vaganova ballet method to Taiwan. After dancing with Taipei City Ballet, and Henry Yu Dance Company, he joined Singapore Dance Theater. In 1996, Lee Wei joined Joffrey Ballet Concert Group in New York City, followed by dancing with Joffrey Ballet Chicago, and Milwaukee Ballet. Mr. Chao started his choreography work while he was dancing with Milwaukee Ballet Company. As a choreographer, LeeWei’s works have been performed by Milwaukee Ballet, Ballet Nouveau Colorado, Oklahoma City Ballet, New Mexico School of the Arts, TCU Residency and others. In 2014, LeeWei received a National Choreography Recognition Award from Regional Dance America. LeeWei has taught at Milwaukee Ballet, Alonzo King LINES Ballet, LINES Ballet Training Program, LINES Ballet Summer Program, LINES Ballet BFA Program Dominican University, Stanford University, National University of Taipei, Taiwan, ODC Dance San Francisco, San Francisco State University, Smuin Ballet, and others. LeeWei was featured in the August 2018 issue of Dance Teacher Magazine, and in the May 2021 of Pointe Magazine. He is currently a faculty member with NW Dance Project and BodyVox.
Jackie Genis
Makino Hayashi
Luke Ingham
Heather Jackson | Ballet
Heather trained on scholarship at Rock School of Pennsylvania Ballet and at 14 became a Ballet Major at the University of Utah where she earned her BFA. She performed with Utah Ballet and Ballet West while in Utah. Before leaving Salt Lake, Heather was an administrator and instructor at the School of Ballet West until her move to Oregon in 2003 where she started working with BodyVox. While dancing with BodyVox Heather enjoyed working with skinner|kirk DANCE ENSEMBLE, The Portland Opera, and other choreographic projects. During her time with the company, Heather led the creation BodyVox’s Junior Artist Generator program and directed them through 2022. Ms Jackson has enjoyed teaching ballet since she was 17 and truly has a passion for it. Her well-rounded training and career gives her the ability to understand students from all backgrounds.
Jenna Johnson
Ruth Langill
Ruth received her training in Sacramento, California, under Stuart Carroll and Sharon Newton. In 2013, she joined the Texas Ballet Theater under the direction of Ben Stevenson, where she danced many of her most cherished roles and performances. Among these are Alexi Ratmanski’s Seven Sonatas, George Balanchine’s Serenade and Rubies, Jerome Robbins’ The Concert, Ben Stevenson’s Winter Fairy in Cinderella, Fairy Beauty in Sleeping Beauty, and Lead Flower in The Nutcracker. Ruth is deeply dedicated to her artistry and is thrilled to be dancing with Oregon Ballet Theatre.
Valerie Limbrunner-Bartlett | Ballet
A native of Newport, Oregon, Valerie studied ballet at Newport School of Dance before graduating from The HARID Conservatory in Boca Raton, Florida. Valerie danced with Hartford Ballet, Texas Ballet Theatre, Oregon Ballet Theatre, and had the privilege of dancing as a guest artist with The National Opera Ballet de Bordeaux, in France. Valerie holds a Bachelor’s degree with a triple major in Exercise Science, Community Health, and School Health Education, and a Master’s degree in Public Health. She instructs full-time at Portland Community College in the Physical Education and Exercise Science departments in a variety of lecture and laboratory courses.
Amelia Logan | Ballet & Contemporary
Amelia Logan (Unsicker), a Portland native, is an alum of the Oregon Ballet Theatre School where she trained under the tutelage of Damara Bennett, Elise Legere, Tracey Katona and many other well-respected ballet educators. Amelia holds a Master of Fine Arts in Dance from the University of California, Irvine and a Bachelor of Science in Biology with a minor in Dance from the University of Oregon and  has been teaching ballet along the West Coast for 15 years. She is also a Certified Pilates Instructor. As a student with OBTS, Amelia performed in George Balanchine’s The Nutcracker, Raymonda, and La Source, as well as Swan Lake, Il Distratto, Peter and the Wolf, and Snow White. Amelia danced as a soloist with Ballet Fantastique. She later joined the Agnieszka Laska Dancers, where she performed The Rite of Spring in Portland, Chicago and throughout Poland. Amelia has worked with many respected choreographers, and has presented her own choreography at festivals and showcases across the country. She is currently the director of the dance program at Ida B. Wells-Barnett High School, co-directs Pathways Dance Company, holds the role of Secretary on the board of the Oregon Dance Education Organization (ODEO), and is a Dance Wire Ambassador.
Brett Mills
Josie Moseley | Modern
Josie Moseley has captivated audiences for more than 35 years with her solo performances and group pieces set on various artists and companies worldwide. As a teacher and choreographer, she explores movement that is expansive, passionate, and humanistic. White Bird brought her company to the stage for the first time with sold-out performances. Josie was greatly honored to create a work, under a commission, for the Martha Graham Dance Company. Dance Magazine recognized her as one of the “100 most influential choreographers of 2010.” Josie’s work has been funded by numerous foundations, individuals, presenters, and public organizations. She has created many works for some of Portland’s most respected dance companies and dance artists. Her work continues to be performed both nationally and internationally. Josie’s teaching career has included serving on the faculties of Reed College, University of Portland, University of California Berkeley, Mills College, Shawl Anderson, Oregon Ballet Theatre, The Portland Ballet and BodyVox.
Charlotte Nash
Charlotte Nash is from Sammamish, WA where she began her training with the Pacific Northwest Ballet School after which she moved to San Francisco Ballet School to complete her training. Nash went on to dance for Houston Ballet II and BalletMet II. In 2018, she joined Festival Ballet Providence (FBP) as a company dancer for three seasons. Some of her favorite roles and performances at FBP include Yury Yanowsky’s Same, Dark Angel in George Balanchine’s Serenade, and Viktor Plotnikov’s Coma.
Karl Pil
Originally from Pittsburgh, Pennsylvania, Karl Pil began his dance training at age sixteen under the instruction of Eun Young Ahn in the Pittsburgh Ballet Theatre School’s Student Division. Pil furthered his studies in Pittsburgh Ballet Theatre’s Pre-Professional Division, before accepting an invitation to the University of North Carolina School of the Arts (UNCSA) where he trained under the instruction of Mikhail Tchoupakov and Ilya Kozadayev. At UNCSA Pil was showcased in original works by Danielle Rowe, Claudia Schreier, Gina Patterson, and Tom Gold. Pil graduated from UNCSA in 2024 with a BFA in Classical Ballet and a Minor in Arts Entrepreneurship. He is a recipient of the Tom Kenan Merit Scholarship and a two-time recipient of the Gillian Murphy Endowed Scholarship.
Jessica Post | Jazz, Pilates, Contemporary
Jessica Post holds an MFA in Dance from the University of Michigan where she taught as a Graduate Student Instructor and received the Rackham International Research Award. She also holds a BFA in Dance from Cornish College of the Arts where she was selected to perform in the restaging of works by Martha Graham and José Limón. Jessica performed professionally in Chicago with The Dance COLEctive and Esoteric Dance Project and has presented her choreography throughout Chicago and Michigan. Jessica is a dedicated dance educator with teaching experience including Oregon Ballet Theatre School, Multnomah Athletic Club, Portland Community College, Eastern Michigan University and Hillsdale College.
Serena Sanford
Melissa St. Clair | Composition & Improv
Melissa St. Clair has been a company member with Company We Keep, Broadway Dinner Theatre in California, and V. Keith Martin’s Northwest Repertory Dance Company. She was a guest dancer with Perseverance Theatre in Juneau, Alaska, touring under a Ford Foundation grant. Ms. St. Clair’s training includes scholarships with Jacob’s Pillow, Repertory Dance Theatre in Utah, Bates Dance Festival, and the Alvin Ailey Dance School. She also trained at Ririe-Woodbury Dance Company. Ms. St. Clair taught modern dance, improvisation, and choreography at Portland’s Jefferson High School for nearly three decades and served as artistic director of the company now known as JD II. Ms. St. Clair also has taught at Portland State University, the University of Portland, and Dancers Workshop. Other posts include serving as guest teacher for the Goethe Institute in Kyoto, Japan, and choreographing and producing her own shows as well as setting choreography for the Northwest Conservatory, ARTBEAT, ArtQuake festivals, Tygres Heart Shakespeare Company, Broadway Rose Theatre, the Jefferson Dancers, and the Oregon Ballet Theatre’s Moving Signatures season. Ms. St. Clair has been in Who’s Who Among American Teachers and has produced her own work with dancers in Portland, Oregon. Some of her works has included CATCH EM IN THE ACT, ST. CLAIR IN COMPANY, AND PRESENT JOURNEY. Ms. St. Clair taught for over six years under John Magnus improvisation/ composition to the students at Portland Festival Ballet.
Molly Tentarelli| Ballet
Molly began her formal ballet training at Portland Metro Arts Center under the direction of Nancy Yeamans. She continued her dance training throughout High School and was a member of Modern Dance Lab at Jefferson High School under the direction of Melissa St. Clair. Molly also studied Hip Hop dance and was a company member under the direction of Durante Lambert for over 10 years. After touring the world extensively as a background vocalist and traveling to over 18 countries, Molly is now the Executive Director of the nonprofit Tiny Dance Life. She spends her mornings teaching at the Multnomah Athletic Club (MAC). Her afternoons are spent traveling to different schools teaching enrichment dance classes for Tiny Dance Life to students primarily Pre-K -5th grade including several SUN Programs.

Robyn Ulibarri | Contemporary & Ballet
Robyn Ulibarri began her dance training at Southwest Washington Dance Center, and began teaching in 1990. She developed a love for musical theater while attending Centralia College, and has appeared in and choreographed numerous productions. Robyn earned her B.A. in dance from Columbia College Chicago in 2004 and has taught for various studios, theater camps, Portland’s S.U.N program, community colleges, and community centers for the last 25 years. Robyn began at O.B.T. in 2011, specializing in work for OBT’s partnership with the Right Brain Initiative.
Dominique Wendt
Born in San Francisco, California and raised in the East Bay, Dominique Wendt received her training from the Contra Costa Ballet Centre and the San Francisco Ballet School. She spent one year as a trainee with BalletMet and two years in Pittsburgh Ballet Theatre’s Graduate Program before joining Sacramento Ballet in 2017, where she danced for seven seasons. Wendt has performed featured roles in works by George Balanchine (Agon and Apollo), Val Caniparoli (Ibsen’s House), Jennifer Archibald (Soar), and Marika Brussel (Glimmering) as well as Cygnets in Swan Lake, Winter Fairy in Cinderella, and Dew Drop in The Nutcracker. In 2022, Wendt graduated summa cum laude with a B.A. in Performing Arts from the St. Mary’s LEAP Program.
OBT Company Members: Zuzu Metzler and Bailey Shaw 

OBT School Guest Faculty

Jeff George

Eric Hipolito

Kate Robbins

Katrina Nelson

Nela McGuire
Brenna McDonald
Meaghan Feeback
Jason Davis
Finnian Carmeci
Derek Drilon
Tori Brendis
Lori Carbone
Nicole Cuevas
Isichel Perez Rivero
Haley Blaise

OBT Artistic Staff

Dani Rowe

From 2001-2015, Dani Rowe, born in Shepparton, Australia, was a Principal Dancer with the Australian Ballet and Houston Ballet and danced with the prestigious Nederlands Dans Theater. She originated roles in creations by Paul Lightfoot/Sol Leon, Christopher Wheeldon, Wayne McGregor, Alexander Ekman, Crystal Pite, and Medhi Walerski and worked with choreographers Mats Ek, Jiří Kylián, Hans van Manen, Alexei Ratmansky and Christopher Bruce. Rowe has also performed in works by Kenneth McMillan, Jerome Robbins, George Balanchine, Mark Morris, and Nacho Duato as well as the title roles in Giselle, Cinderella, Sleeping Beauty, Kitri in Don Quixote and Sugar Plum Fairy in The Nutcracker.

After retiring as a dancer in 2015, Rowe turned to choreography. She has created works for San Francisco Ballet, Nederlands Dans Theater’s SWITCH program, Royal New Zealand Ballet, Co.Lab Dance (featuring dancers from American Ballet Theatre), Milwaukee Ballet, Ballet Idaho, Grand Rapids Ballet, SFDanceworks, Dance Aspen, Barak Ballet, Diablo Ballet, Oakland Ballet, and Berkeley Ballet Theater. She has been dubbed a “choreographic storyteller” (Toba Singer, Culture Vulture), and her work “merits much praise” (Allan Ulrich, San Francisco Chronicle).

Her choreographic style has been described as “using a myriad of intricate hand and arm gestures that built on each other like the blocks in a Jenga game, along with a rich, flowing, contemporary ballet movement aesthetic” (Steve Sucato, culturedGR) and “impressing with the clarity of its intentions and the easy use of a multi-lingual vocabulary” (Rita Felciano, Danceview Times).

In addition to her work as a choreographer, from 2018-2019, Rowe served as the Associate Artistic Director of SFDanceworks, a contemporary repertory company in San Francisco, California, acting as the intermediary between the Artistic Director and dancers.

During the Covid-19 pandemic, Rowe explored filmmaking as a new and lasting way to reach audiences. Her highly regarded creations include Wooden Dimes for San Francisco Ballet, The Animals for Ballet Idaho, and The Misfits for Louisville Ballet. She also collaborated with filmmakers Garen Scribner and Alexander Reneff-Olson on Shelter, I Am Spartacus, and Wilis in Corps-en-tine for the Australian Ballet, which was voted “one of the best things to come out of quarantine” by Vogue.

Lisa Kipp

Lisa Kipp began studying ballet in Olympia, Washington and finished her training at Pacific Northwest Ballet School.

She danced with Pacific Northwest Ballet, Pacific Ballet Theatre, Ballet Oregon, Ballet of Los Angeles, Ballet Chicago, and James Sewell Dance, and also performed in the touring company of Andrew Lloyd Webber’s The Phantom of the Opera. Kipp danced principal roles in George Balanchine’s Rubies, Tchaikovsky Pas de Deux, Square Dance, Concerto Barocco, and Apollo, and appeared as the Cowgirl in Agnes De Mille’s Rodeo. Prior to joining OBT in 2004, she was the Ballet Department Head for the school of Spectrum Dance Theater in Seattle, as well as the company’s Rehearsal Director.

Kipp was OBT’s Ballet Mistress beginning in 2004 before being promoted to the company’s rehearsal director, and senior rehearsal director in 2022. As a ballet master, she has assisted James Kudelka, Lar Lubovitch, Lola DeAvila, Nicolo Fonte, Francia Russell, Bart Cook, Christine Redpath, Christopher Stowell, Yuri Possokhov, and Helgi Tomasson. She has staged George Balanchine’s Rubies, Square Dance, and Who Cares? for OBT, and is responsible for the corps de ballet in OBT’s classical repertoire.

Steven Houser
Steven Houser began his ballet training at the age of 6 in his hometown of Portland, OR, and spent summers studying at San Francisco Ballet School, Pacific Northwest Ballet School, and the School of Oregon Ballet Theatre. Steven joined Oregon Ballet Theatre as an apprentice in 2004, was made a full company member in 2005, and was promoted to soloist in 2007. In 2011 he joined Grand Rapids Ballet where he danced for a further 11 seasons. During his career he performed featured roles in works by George Balanchine, Christopher Stowell, Kent Stowell, Paul Taylor, Helgi Tomasson, Yuri Possokhov, Peter Martins, Julia Adam, Nicolo Fonte, Val Caniparoli, James Kudelka, Christopher Wheeldon, Penny Saunders, Dani Rowe, Olivier Wevers, Annabelle Lopez-Ochoa, Brain Enos, David Parsons, Gerald Arpino, and William Forsythe. In 2017 he was made a Ballet Master with Grand Rapids Ballet, and was responsible for works by Val Caniparoli, Penny Saunders, Christopher Stowell, Dani Rowe, and Brian Enos. Since retiring from performing in 2022, he has worked as a rehearsal assistant, teacher, and stager throughout the United States.